All the oil paintings of Francesco Guardi

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ID	Image	Painting(From A to Z)	Details
79708		Abfahrt des Bucentaur zum Lido	ca. between 1775(1775) and 1780(1780) Oil on canvas 66 x 100 cm (26 x 39.4 in) cjr
83669		Abfahrt des Bucentaur zum Lido	Oil on canvas Dimensions 66 x 100 cm (26 x 39.4 in) cyf
1824		An Architectural Caprice	c1770/80 National Gallery, London
40592		An Architectural Caprice	mk156 c.1770 Oil on canvas 54x36cm
52351		An Architectural Caprice before 1777	Oil on canvas, 54 x 36 cm
79329		Arched Bridge at Cannaregio	between 1765(1765) and 1770(1770) Medium Oil on canvas cyf
79699		Arched Bridge at Cannaregio	between 1765(1765) and 1770(1770) Medium Oil on canvas cyf
33795		Capriccio	mk86 c.1745 Oil on canvas 92x132cm Milan
21918		Capriccio (mk08)	c.1745 Oil on canvas 92x132cm Milan,Crespi Collection
1823		City View	The Hermitage, St.Petersburg
41203		Concert by the Orphan Girls	mk157 1782 Oil on canvas 67.7x90.5cm
22768		Dal ciclo delle storie di Tobiolo (mk21)	1750 ca Chiesa dell'Angelo Raffiele (parapetto dell'organo),Venezia
40606		Departure of Bucentaure towards the Lido of Venice on Ascension Day	mk156 1775-1780 Oil on canvas 66x101cm
70596		Der Bucintoro vor San Nicolo di Lido	Medium Oil on canvas Dimensions Expression error: Missing operand for *50 ?? 80 cm
30303		Details of he Departure of the Doge on Ascension Day	nn05 A golden parasol recalls Byzantium
30305		Details of he Departure of the Doge on Ascension Day	nn05 Pleasure under the roof of a gondola
30306		Details of he Departure of the Doge on Ascension Day	nn05 From harsh reality to the illusion of beauty
30304		Details of The Departure of the Doge on Ascension Day	nn05 The ship is a veritable monstrance
30635		Doge on the Bucentoro on Ascension Day	mk68 Oil on canvas Paris,Louvre c.1773 Italy
85846		El Gran Canal con San Simeone Piccolo y Santa Luca	1780(1780) Medium Oil on canvas Dimensions 48 x 78 cm (18.9 x 30.7 in) cyf
70768		ett mirakel av s:t hyacinthus	1763 pa duk 172x122cm se
41284		Fantastic Landscape	mk161 Oil on canvas
84832		Fire in the San Marcuola	1789(1789) Medium Oil on canvas cyf
80627		Fire in the San Marcuola Oil Depot	Date 1789(1789) Medium Oil on canvas Dimensions Height: 32 cm (12.6 in). Width: 51 cm (20.1 in). cjr
59185		Francesco Guardi portrayed by Roberto Longhi	Francesco Guardi portrayed by Roberto Longhi (1764).
22765		Gondola sulla laguna (mk21)	1793 ca Olio su tela,25 x 38 cm Museo Poldi Pezzoli,Milano
53842		Hamnstad with classical ruins Italy	mkl234 1730-first century 122x178cm
39934		Harem Scene	mk155 1742-1743 Oil on canvas 46x64cm
40613		Ladies-Concert at the Philharmonic Hall	mk156 c.1782 Oil on canvas
29244		Landscape	mk65 ca.1790 Oil on canvas 47x60"
91906		Landschap met een kade en schepen op een meer	1760 - 1780 Medium oil on canvas Dimensions 45 X 70 cm (17.7 X 27.6 in) cjr
66376		Le solennit dogali	Francesco Guardi, dipinto della serie: "Le solennit?? dogali", scena: Il Bucintoro naviga verso san Nicol?? di Lido, il giorno dell'Ascensione. Dipinto verso il 1775-1780.
74173		Little Square of St. Marcus	Oil painting, Francesco Guardi (1712?C1793) Date c.1780 cyf
59186		Miracle of a Dominicane Saint	Miracle of a Dominicane Saint (1763), Lugano, private collection.
69129		piazza san marco, venedig	olja på duk 50x85 se
32531		Recreation by our Gallery	mk79 About 1650
20719		rThe Doge Grants an Andience in the Sala del Collegin in the Ducal Palace (mk05)	Canvas 26 1/2 x 40''(67 x 101 cm)One of the series of Twelve scenes of Venetian festivals.Inv 325(MN)
42730		Santa Maria della Salute	MK169 Venetie ca. 1765 oil Paint on cloth 48.3x38.4cm National Gallery or Scotland
75636		Schiffe im Meeresgewitter	1765-1770 Oil on canvas 33 ?? 45 cm (13 ?? 17.7 in) cjr
77434		Schiffe im Meeresgewitter	Date 1765-1770 Medium Oil on canvas Dimensions 33 ?? 45 cm (13 ?? 17.7 in) cyf
41175		St.Mark-s Basin with San Giorgio Maggiore and the Giudecca	mk157 72x97cm
1826		The Bucentaur Departs for the Lido on Ascension Day	1766-70 Musee du Louvre, Paris
20720		The Coronation of the Doge on the Staircase of the Giants at the Ducal Palace (mk05)	Canvas 26 1/2 x 40''(67 x 101 cm)One of the Series of Twelve scenes of Venetian festivals INV 323 (MN)
30302		The Departure of the Doge on Ascension Day	nn05 c.1770 The marriage of Venice with the sea
1827		The Doge in the Bucentaur at San Nicolo di Lido on Ascension Day	1766-70 Musee du Louvre, Paris
1825		The Doge of Venice goes to the Salute on 21 November to Commemorate the end of the Plague of 1630	1766-70 Musee du Louvre, Paris
20721		The Doge Takes Part in the Festivities in the Piazzetta on Shrove Tuesday (mk05)	Canvas,26 1/2 x 40''(67 x 100 cm)One of the series of twelvescenes of Venetian festivals INV 321
43263		The Doge-s Palace and the Molo from the Basin of San Marco	mk170 circa 1770 Oil on canvas 58.1x76.4cm
43262		The Giudecca with the Zitelle	mk170 1780-1790 Oil on canvas 18.7x23.8cm
59187		The Lagoon Looking Towards Murano from the Fondamenta Nuova	The Lagoon Looking Towards Murano from the Fondamenta Nuova (1765-70) Oil on canvas, 31,7 x 52,7 cm. Fitzwilliam Museum, Cambridge.
70581		The Little Square of St. Marc	The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793) c.1780
72516		The Little Square of St. Marcus	"The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793) cjr
43261		The Punta della Dogana	mk170 1780-1790 OIl on canvas 18.7x23.8cm
78659		Three Arched Bridge at Cannaregio	between 1765(1765) and 1770(1770) Medium Oil on canvas cyf
33794		Venetian Gala Concert	mk86 c.1782 Oil on canvas 67.7x90.5cm Munich,Bayerische Staatsgemalde-sammlunge,Alte Pinakothek
21917		Venetian Gala Concert (mk08)	c.1782 Oil on canvas. 67.7x90.5 Munich,Bayerisch Staatsgemalde-sammlunge,Alte Pinakothek
56124		venice acrooss the basin of san marco	mk247 c.1760,oil on canvas,21.5x34 in,54.5x86.5 cm,private collection
69798		Venice from the Bacino di San Marco	oil on canvas painting by Francesco Guardi
43260		Venice The Punta della Dogana with S.Maria della Salute	mk170 circa 1770 Oil on canvas 56.2x75.9cm
41059		View of a Square with Palace	mk159 Oil on canvas transferred from panel 27x23cm
85463		View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal	Medium Oil on panel cyf
77678		View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice,	View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice, oil on panel painting by Francesco Guardi, National Museum of Wales. cjr

Francesco Guardi
1712-1793 Italian Francesco Guardi Galleries Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo. In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739). His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764. In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style. Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno. Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice. A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo. Guardi died at Venice in 1793.